▸ OCULA 30. Visuality of writing in arts and visual communicat|... ▸ OCULA 28. Public Art and Urban Spaces ▸ OCULA 26. Matters of holiness: semiotic perspectives on Dant|... ▸ OCULA 25. Gender, genres and generations. A sociological ana|... ▸ OCULA 24. Quando è design / When is design / Quand c'est du |... All Thematic issues in chronological order ➞ All Call for Papers ➞
Recent posts
Index
Topics | index
Ocula 30
Visuality of writing in arts and visual communication
editors Valentina Manchia and Salvatore Zingale | June 2024
Valentina Manchia and Salvatore Zingale
Variations of writing. Visuality of writing and visual writings
Leonardo Romei
Leonardo as a visual communication theorist. Principles of written/graphic/visual communication in Leonardo da Vinci’s Notebooks
Antonio Perri, Luciano Perondi, Daniele Capo, Roberto Arista and Giampiero Dalai
Alternative graphemics. Aztec writing system as a case study towards an integrated, digitalised model of non-typographic graphemics
Giacomo Festi and Weihuan Hou
Contemporary reinventions of Chinese calligraphy. A semiotic exploration
Mansu Wang
Chu Calligraphy on Bamboo Slips. The Visual Evolution from Seal Script to Clerical Script and Its Artistic Value
Silvia Pireddu
From matter to pixels. Notes on visual poetry between analogue and digital
Ludovica Polo
New verbo-visual explorations. Forms and applications of visual writing in contemporary artefacts
Marcello Sessa
Typewriting. The 'typewriter poem' as a paradigm of the 'informational' image based on Paul Valéry, Leo Steinberg, Walter Benjamin, Max Bense
Simona La Neve
It is already politics. Visual proto-elements for self-determination
Davide Tolfo
The March of the Alphabets. Semiological investigation of the Slavs and Tatars
Daniele Barbieri
Systems of representation. Semiotic considerations on Typographische Gestaltung
Valeria Bucchetti
Identity figures. The letter-image as an expression of product identity
Girish Muzumdar, Asha Deshpande and Ben Howell Davis
Pictograms as Visual Communication. Tools for the Autonomy and Accessibility of Persons with Intellectual Disabilities
Andrea Benedetti, Ángeles Briones and Arianna Bellantuono
Algorithmic you. A design-setting for the re-appropriation of personal data through poetic narratives and revisiting models of visual poetry
Rossana De Angelis
Digital writing formats. A topological analysis of screen publishing
Visuality of writing in arts and visual communication
editors Valentina Manchia and Salvatore Zingale | June 2024
Valentina Manchia and Salvatore Zingale
Variations of writing. Visuality of writing and visual writings
Leonardo Romei
Leonardo as a visual communication theorist. Principles of written/graphic/visual communication in Leonardo da Vinci’s Notebooks
Antonio Perri, Luciano Perondi, Daniele Capo, Roberto Arista and Giampiero Dalai
Alternative graphemics. Aztec writing system as a case study towards an integrated, digitalised model of non-typographic graphemics
Giacomo Festi and Weihuan Hou
Contemporary reinventions of Chinese calligraphy. A semiotic exploration
Mansu Wang
Chu Calligraphy on Bamboo Slips. The Visual Evolution from Seal Script to Clerical Script and Its Artistic Value
Silvia Pireddu
From matter to pixels. Notes on visual poetry between analogue and digital
Ludovica Polo
New verbo-visual explorations. Forms and applications of visual writing in contemporary artefacts
Marcello Sessa
Typewriting. The 'typewriter poem' as a paradigm of the 'informational' image based on Paul Valéry, Leo Steinberg, Walter Benjamin, Max Bense
Simona La Neve
It is already politics. Visual proto-elements for self-determination
Davide Tolfo
The March of the Alphabets. Semiological investigation of the Slavs and Tatars
Daniele Barbieri
Systems of representation. Semiotic considerations on Typographische Gestaltung
Valeria Bucchetti
Identity figures. The letter-image as an expression of product identity
Girish Muzumdar, Asha Deshpande and Ben Howell Davis
Pictograms as Visual Communication. Tools for the Autonomy and Accessibility of Persons with Intellectual Disabilities
Andrea Benedetti, Ángeles Briones and Arianna Bellantuono
Algorithmic you. A design-setting for the re-appropriation of personal data through poetic narratives and revisiting models of visual poetry
Rossana De Angelis
Digital writing formats. A topological analysis of screen publishing
Flux Issue | index
Ocula 29
Flux 2024
edited by the editorial staff
Maria Grazia Falà
Gomorra - La serie, an example of incomplete transmediality | January 2024 | METADATA
Valentina Pisanty
On the Logic of Conspiracy. Theories and the Soros Myth | January 2024 | METADATA
Giovanna Cosenza
Semiotics for digital marketing campaigns. Some operational proposals | July 2024 | METADATA
Alessandro Zinna
An archaeology of the city. Starting from Michel Foucault's ‘Other Spaces’ | July 2024 | METADATA
Flux 2024
edited by the editorial staff
Maria Grazia Falà
Gomorra - La serie, an example of incomplete transmediality | January 2024 | METADATA
Valentina Pisanty
On the Logic of Conspiracy. Theories and the Soros Myth | January 2024 | METADATA
Giovanna Cosenza
Semiotics for digital marketing campaigns. Some operational proposals | July 2024 | METADATA
Alessandro Zinna
An archaeology of the city. Starting from Michel Foucault's ‘Other Spaces’ | July 2024 | METADATA
contrAppunti | index
Riflessioni sugli oggetti apprensibili, sui costumi e sulle cognizioni umane per rapporto alle lingue
Review of book, January 2024
Review of book, January 2024
ISSN 1724-7810 | DOI: 10.12977/ocula
Since 2019 Ocula is ranked as a class A journal by ANVUR for Research Area 10/C1 and 11/C4.
Ocula adheres to the principles of Budapest Open Access Initiative (BOAI)
Ocula is indexed by Directory Open Access Journal (DOAJ) and Google Scholar
The content on this site is licensed under Creative Commons (BY-NC-ND)
Since 2019 Ocula is ranked as a class A journal by ANVUR for Research Area 10/C1 and 11/C4.
Ocula adheres to the principles of Budapest Open Access Initiative (BOAI)
Ocula is indexed by Directory Open Access Journal (DOAJ) and Google Scholar
The content on this site is licensed under Creative Commons (BY-NC-ND)