Questo articolo è stato sottoposto a double blind peer review

Questo articolo è stato pubblicato in: Ocula 22, Be cool. Come nasce un'icona culturale

autore: Paolo Bertetti (Dipartimento di Scienze Sociali, Politiche, Cognitive, Università degli studi di Siena (IT))

L’icona invisibile. Big Brother da icona finzionale a icona culturale

lingua: italiano

abstract: In George Orwell’s 1984, Big Brother is the inscrutable leader of Oceania. Thanks to his media pervasiveness, his image assumes, an iconic value, expression par excellence of control and power. However, he is an icon without reference: no one has ever really seen the Big Brother. He is a strongly iconic entity and at the same time he is not visible, perhaps not even existing: a mere representation of the apparatus of power. He is a fictional icon circulating first of all in the narrative universe of 1984. He emerges from the pages of the novel and becomes an icon (or meta-icon) also within contemporary culture: in the game of his translations across the media, through the reuses and reconfigurations to which he was subjected in the arts, in popular culture, even in advertising, the Orwellian character (or non-character) becomes the emblem of the vision: image of control and mass surveillance, but also - weakly - of spectator’s voyeurism (the TV program).

citazione: Paolo Bertetti, L’icona invisibile. Big Brother da icona finzionale a icona culturale, "Ocula", vol.21, n.22, pp.167-179, aprile 2020. DOI: 10.12977/ocula2020-14

condividi

  

Ocula.it pubblica saggi di ricerca semiotica, in particolare applicata alla comunicazione e alla cultura, è aperta al dialogo con altri campi di ricerca e accoglie contributi che provengono da ogni ambito delle scienze umane e sociali.