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This article has been subjected to review by the editors of the issue or by the Editorial board

This article has been published in: Ocula 0, Perché / Why / Warum / Pourquoi /?

author: Francesco Galofaro

La definizione dello spazio nel cinema di effetti speciali: X-Men di Bryan Singer

language: italian

publication date: December 2000

abstract: Un utilizzo del dolby e della quadrifonia che costituiscono una sfida alle categorie impiegate dagli analisti del cinema per analizzare il sonoro.

keywords: semiotica dei media, comunicazione, cinema, x-men, spazialità

La definizione dello spazio nel cinema di effetti speciali: X-Men di Bryan Singer ➞ HTML

citation information: Francesco Galofaro, La definizione dello spazio nel cinema di effetti speciali: X-Men di Bryan Singer, "Ocula", vol.1, n.0, December 2000.

 

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ISSN 1724-7810   |   DOI: 10.12977/ocula

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