Flux 2023
edited by the editorial staff
This issue is a collection of the Ocula Flux essais published during the year
Contributors to this Issue: Emanuela Ammendola, Andrea Bernardelli, Mauro Ferraresi, Eduardo Grillo, Antonella Penati, Silvia Pizzocaro, Stefano Traini.
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Modern forms of communication, such as audiovisual products, are widely used for representing different cultures and lands marking the passage from the purely written form to the multimodal one. Such representations become globally accessible thanks to translation that can represen
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in italian |
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This article focuses on a few recent publications, all of them devoted to a new semiotic intepretation of Pasolini’s theoretical works on cinema. It provides a short summary of the ancient debate between Pasolini and semioticians, then offering an overview of those recent publicati
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This essay offers the reader a series of reflections on medicines as technical objects, objects of use, and artefacts coping with the corporeality of the patient as a user. Since the intent here is not to propose or validate a theory, medications are mainly devoted descriptive atte
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in italian |
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If Emilio Garroni in his important study of 1975 (Pinocchio uno e bino) proposed considering Pinocchio as two novels in one, the first – called Pinocchio I – which goes from chapter I to chapter XV and ends with the hanging of the puppet, and the second, called Pinocchio II, which
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The television miniseries Watchmen (HBO, 2019) is a particularly complex narrative product. The miniseries is inspired by the graphic novel of the same title by Alan Moore and David Gibbons and was created by writer, producer, and cartoonist David Lindelof - known as co-writer and
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in italian |
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This contribution aims to investigate the relationship between fashion and media in today’s digital age. It analyses the main effects of this pairing, which, under the name of fashion-media, investigates the relationship between fashion and media consumption, analyses elements of t
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