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publisher: Associazione Ocula, via Lodovico Berti, 2 40131 - Bologna email: redazione@ocula.it Editorial Committee: Giovanni Baule (Politecnico di Milano, Dipartimento di Design) Anne Beyaert (Université de Limoges, France) Giovanni Boccia Artieri (Libera Università di Urbino Carlo Bo) Vanni Codeluppi (Università Iulm, Milano) Marcel Danesi (University of Toronto, Canada) president from 2014 Bernard Darras (Université Paris 1, Panthéon-Sorbonne, France) Alessandro Duranti (University of California Los Angeles, Usa) Guido Ferraro (Università di Torino) Roberto Grandi (Università di Bologna) Gianfranco Marrone (Università di Palermo) Pino Paioni (1920-2013) (Università di Urbino) president from 2009 to 2013 Guglielmo Pescatore (Università di Bologna) Susan Petrilli (Università di Bari) Isabella Pezzini (Università La Sapienza di Roma) Maria Pia Pozzato (Università di Bologna) Andrea Semprini (Université de Lille, France; Iulm, Milano) Alessandro Zinna (Université de Toulouse 2, France) Coordinator (Editor in Chief): Cinzia Bianchi (cinzia.bianchi@unimore.it) from 2017 Salvatore Zingale (salvatore.zingale@polimi.it) from 2012 to 2017 Editorial Board: Andrea Bernardelli (andrea.bernardelli@unipg.it) Cinzia Bianchi (cinzia.bianchi@unimore.it) Michela Deni (michela.deni@gmail.com) Nicola Dusi (nicolamaria.dusi@unimore.it) Francesco Galofaro (galofaro_francesco@hotmail.com) Davide Gasperi (davide@davidegasperi.it) Federico Montanari (federico.mont@gmail.com) Valentina Pisanty (valentina.pisanty@unibg.it) Giampaolo Proni (giampaolo.proni@unibo.it) Ruggero Ragonese (ruggero.ragonese@unimore.it) Stefano Traini (straini@unite.it) Salvatore Zingale (salvatore.zingale@polimi.it) |
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Contents: This article has been subjected to double blind peer review author: Andrea Bernardelli (Dipartimento di filosofia, scienze sociali, umane e della formazione, Università di Perugia (IT)) Melodramma e realismo in Gomorra. La serie | Realism and Melodrama in Gomorrah language: italian Publication date: November 2017Abstract: The new protagonists of TV series, in recent years productions, are not any more “heroes without blemish and without fear”, but “complex” antiheroes. They are characters more and more realistic. This effect is obtained through the fictional representation of their particularly cruel and immoral behaviors. But which kind of narrative devices allows the viewer to stand and accept the wrong behaviors of these rough characters? This essay will start from Margrethe Bruun Vaage’s (2013) thesis, trying to show how the dialectics between realistic narrative content and a fictional (melodramatic) way of representation could be the key concept to understand the viewer’s engagement. That is, the principal aim of the essay is to outline how viewers engage with the protagonists of strongly realistic, uncanny and disturbing TV series. The Italian TV series "Gomorra" will be taken into account as a specific case-study. As a matter of fact, this TV series has been widely criticized specifically for its strong and almost disturbing realism. Keywords: serie tv, narrazione televisiva, antieroe, toni narrativi, ricezione, gomorra> Read the PDF document [748Kb] DOI: 10.12977/ocula85 citation Information: Andrea Bernardelli, Melodramma e realismo in Gomorra. La serie, "Ocula", vol.18, November 2017. DOI: 10.12977/ocula85 |
