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This article has been subjected to review by the editors of the issue or by the Editorial board
author: Francesco Galofaro
La teoria e la pratica della musica come ingredienti per una teoria della conoscenza in Paolo Bozzi
language: italian
publication date: December 2003abstract:
keywords: musica, percezioneLa teoria e la pratica della musica come ingredienti per una teoria della conoscenza in Paolo Bozzi ➞ HTML
citation information: Francesco Galofaro, La teoria e la pratica della musica come ingredienti per una teoria della conoscenza in Paolo Bozzi, "Ocula", vol.4, December 2003.
Ocula.it publishes articles and essays in semiotic research, with a particular eye on communication and culture; it is open to dialogue with other research fields and welcomes contributions from all the areas of the social and human sciences. See the Editorial Board and the Editorial Board.
ISSN 1724-7810 | DOI: 10.12977/ocula
Since 2019 Ocula is ranked as a class A journal by ANVUR for Research Area 10/C1 and 11/C4.
Ocula adheres to the principles of Budapest Open Access Initiative (BOAI)
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The content on this site is licensed under Creative Commons (BY-NC-ND)
Since 2019 Ocula is ranked as a class A journal by ANVUR for Research Area 10/C1 and 11/C4.
Ocula adheres to the principles of Budapest Open Access Initiative (BOAI)
Ocula is indexed by Directory Open Access Journal (DOAJ) and Google Scholar
The content on this site is licensed under Creative Commons (BY-NC-ND)